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	<title>Nicklas Kirchert &#8211; DDRN</title>
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	<title>Nicklas Kirchert &#8211; DDRN</title>
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		<title>Equity and gender equality after Covid19 &#8211; Lockdown violence and cashless cities under the pandemic</title>
		<link>https://ddrn.dk/7190/</link>
		
		<dc:creator><![CDATA[Nicklas Kirchert]]></dc:creator>
		<pubDate>Mon, 30 Nov 2020 16:18:07 +0000</pubDate>
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					<description><![CDATA[Coronavirus restrictions and sexual assault are intensely debated these days among the Danish public. Even though these discussions are not necessarily interrelated, we have seen &#8230; ]]></description>
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									<p><span style="color: #000000;">Coronavirus restrictions and sexual assault are intensely debated these days among the Danish public. Even though these discussions are not necessarily interrelated, we have seen that sexual violence and violence against women more broadly have surged worldwide during the Covid crisis. </span><span style="color: #000000;">In this article I ask anthropologist Atreyee Sen to assess the goal of equity and gender equality in India after Covid. </span><span style="color: #000000;">It is widely acknowledged that the Covid crisis is especially a critical time for those who are most vulnerable. Sen has done two decades of acclaimed anthropological research on groups of people (mainly women) that are poor, minorities, migrants and sometimes refugees. On a late Friday afternoon, she met me at a café in Østerbro.</span></p><p><span style="color: #000000;">Atreyee Sen is originally from India. She received her BA in Sociology from the University of Calcutta, and her MA in Sociology from the Jawaharlal Nehru University in New Delhi. She came to the UK in 1998 to pursue her PhD in Social Anthropology at the School of Oriental and African Studies (SOAS) at the University of London. She has spent most for her academic life in the UK, but in 2015 she came to <a href="https://anthropology.ku.dk/staff/professor-and-associate-professor/?pure=en%2Fpersons%2Fatreyee-sen(175cfb01-1f08-44c2-a5b2-23d126141695)%2Fcv.html" target="_blank" rel="noopener noreferrer">Department of Anthropology at the University of Copenhagen</a>. She is now an Associate Professor and<a href="https://www.researchgate.net/profile/Atreyee_Sen" target="_blank" rel="noopener noreferrer"> specializes in Political Anthropology</a>.</span></p><p><span style="color: #000000;"><strong>Poor people in cashless cities: Working as a political anthropologist</strong></span></p><p><span style="color: #000000;">When we sit down to discuss Sen’s research, I ask her to explain the characteristics of political anthropology: “The work of a political anthropologist is mainly to study politics, the state, and the transmission of power.” Sen exemplifies by telling me about her recent research project on cash flows in the city (in Denmark, Brazil and India): “Even though, my initiation into academic research was through the lens of woman and child violence, more recently I have taken up working with urban cash economies. I am looking at how global cities, from Copenhagen to Tokyo to Mumbai, is becoming cashless.</span></p><p><span style="color: #000000;">The poor communities in these urban spaces, who were historically engaged with cash transactions, are getting marginalised. Whether it is the homeless in Copenhagen, or street vendors in Mumbai, they always use cash. These people are feeling more and more alienated from the city. Even if you want to go to a cinema you need a credit card, or if you drive a truck, you can’t access a parking lot anymore by paying cash. </span><span style="color: #000000;">We see a common resistance to this growing trend. In the US, Philadelphia was the first city to come forward and say, ‘we need cash back in the stores, because we have such a large migrant population who are unbanked, and those who do not have a bank account, cannot pay with credit/debit cards.’ It is absolutely vital for these social groups to be able to make cash transactions for food, groceries or basic amenities. These are some of the things I am interested in – who is defending the rights of the poor to access these stores.”</span></p><p><span style="color: #000000;">Sen tells me that this collaborative project has caught a lot of attention. “We have just published an edited volume, it’s called <a href="https://berghahnbooks.com/title/SenWho" target="_blank" rel="noopener noreferrer"><em>Who’s cashing in?</em></a> (Berghahn, August 2020 – open access). We are pleased to see other international academics have been inspired by our project, and are conducting similar research, for example, in Finland. Scandinavia is the most explicitly anti-cash group of nations. So in Finland similar financial policies are being implemented, and Sweden wants to become completely cashless by 2025.”</span></p><p><span style="color: #000000;">Sen explains that Covid has added yet another dimension to the project, and that her work is getting attention from companies working with financial inclusion: “These companies are approaching me to understand the social impact of viewing cash as dirty and a source of contagion. During the corona crisis, many stores are either banning cash, or turning to online commerce.</span></p><p><span style="color: #000000;">This is a remarkable time when people are washing and disinfecting cash in all parts of the world. I have a postdoc in the department, Camilla Ida Ravnbol, who is looking at how it plays out in Copenhagen among homeless people, the Roma, and undocumented workers. In some care centers they have a bowl of disinfectant, and if the users of the care centers buy anything, they put the cash in the bowl. The migrants are resigned to this. Another form of discrimination is directed against refund bottle collectors: Some of the music festivals use digital systems to pay a refund onto a card, which a lot of the bottle collectors simply don’t have. This is the way in which the cashless economies push out destitute migrants.”</span></p><p><span style="color: #000000;">To round up her take on political anthropology Sen says: “As you can see, the borders and boundaries of this kind of anthropology is blurred. One could put my work on cash squarely in the domain of economic anthropology, because it has to do with money, economies and labor, but it is not necessarily so. I am interested in looking at how and why states implement these policies, and how they are empowering corporations (like Visa and Mastercard) and mobile payment apps across the world to step in and gain political influence. I look at how this profit and market-based economic strategies impacts people on the ground, especially people living below poverty level. How do poor and marginal communities engage with these large debates about digital infrastructures? That has become my area of interest”.</span></p><p><strong><span style="color: #000000;">The Right’s Defeat of Labor Solidarity </span> </strong></p><p><span style="color: #000000;">The rise of nationalism and right-wing politics among poor women has been the main focus of Sen’s research for many years. Sen points out that the current phobia against Muslims has been fueled by the globalization of hate-politics: “The brilliant thing about doing political anthropology is that you can collect your data in a specific field, and then find innovative ways in which to relate it to global debates and political transformations. Some of the anti-Muslim sentiments that I experience in the slums are related to global islamophobia. Hindu-Muslim relationships become tense and conflictual after local people watch TV and follow social media propaganda. The result is, that if there is bomb blast in the Middle East, then they feel angry towards an ordinary Muslim neighbor, because they see him as a follower of Islam, and not as the family man they meet in the bazaar.”</span></p><p><span style="color: #000000;">According to Sen, India’s strong interreligious class solidarity is slowly vanishing in many parts of the region: “Poor people’s socialism existed in Mumbai during the colonial era, when the rural migrants came to work in the cotton factories. People understood labor solidarities. I have collected narratives from very old people who married across caste and religion, because both marital families were laborers and had a mutual understanding of each other’s backgrounds. All the romanticism associated with say Marxism, that ‘poverty binds everyone together’, is largely gone in many of my fieldwork contexts.”</span></p><p><span style="color: #000000;"><strong>Violence against women. Challenging feminist and development critiques of right-wing women    </strong></span></p><p><span style="color: #000000;">Among Sen’s research objects, she has done extensive work on Shiv Sena Mahila Aghadi (Mahila Aghadi means ‘Women’s Front’ and is a female-based faction of the Indian Hindu nationalist party Shiv Sena, Army of Shivaji). This fieldwork has been difficult due to various research parameters. It is strenuous “to work with social groups that make you feel uncomfortable when they display their violent ideology and practices; and then having to take a non-judgmental stand towards research interlocuters as an anthropologist” as Sen puts. Her approach in allowing the voices of right-wing women to come through has also met with resistance from development and feminist scholars: “I have worked with feminist NGOs and organizations, and I saw how they were very disappointed in the fact that right-wing groups managed to mobilize poor women. This sense of disillusionment takes place because many feminist groups globally adhere strictly to elitist feminist ideologies and Western categories of gender solidarities. They have criticized right-wing women as irrational, illogical and brainwashed. Of course, right wing politics have to be criticized, but I am advocating for a stronger conversational culture. It is important to uncover the political and social logics of women affiliated with the extreme right, instead of avoiding any engagement with them. If you are able to gain more knowledge about their ideology and passions, then we are in a stronger position to challenge lopsided nationalism from the ground, in a way that we can’t do from a purely ideological perspective.”</span></p><p><span style="color: #000000;">Sen explains that poor women’s problems with domestic violence is being addressed by some right-wing activists’ quick-term interventions: “The core of some feminist policy-making is rescue and rehabilitation, and this central ethics determines the work of many crisis centers. The centers offer shelter to rescued women, and often provide alternative training programs for abused women to become economically independent. But from the perspective of the right-wing women, poor women want to stay married, because marriage and motherhood give them status in their society. Many poor women think that the idea of being alone and single mothers involves ostracization and stigma as ‘a woman who abandoned her husband and family.’ It means signing up for what they see as a life of loneliness.</span></p><p><span style="color: #000000;">Most women want to be within the family, they want that emotional support, and they think that a kinship network will help them grow old safely. When you go to a right-wing organization and tell them that your husband is beating you up, a female representative will go to the husband and tell him, that ‘if you ever beat your wife again, I will break your leg, I will ensure that you lose your job and you will live in pain for the rest of your life, so treat your wife with respect.’ Most men get scared by these threats, and some men will actually stop being violent for some time. Partly because these women have the backing of massive nationalist groups. I am not saying that this leads to structural changes. Feminist organizations are right in trying to change and challenge patriarchal structures. Many feminist groups have poor women in their favor, but the communities that I have worked with are extremely poor and illiterate, and many women don’t understand the language of feminist policy making; they want quick term solutions to their problems.”</span></p><p><span style="color: #000000;"><strong>Lockdown violence</strong></span></p><p><span style="color: #000000;">Since Covid, Sen has not been able to travel to India to do her fieldwork, but after twenty years in the field she has gained long and trusted relationships among her informants. She has reached out to them, since the <a href="https://www.unwomen.org/en/news/stories/2020/4/statement-ed-phumzile-violence-against-women-during-pandemic" target="_blank" rel="noopener noreferrer">UN</a></span> <span style="color: #000000;">and other organizations announced that domestic violence against women was surging immensely in countries with precautionary lockdowns: “I did a lot of online interviews and had several phone conversations.” Sen has just published an article called <a href="https://www.univie.ac.at/Geschichte/LHOMME/cms/index.php?option=com_content&amp;view=article&amp;id=252:31-2-2020-verstoerte-sinne&amp;catid=5&amp;Itemid=6&amp;lang=de" target="_blank" rel="noopener noreferrer">“Pandemic Rape: The Corona Crisis, Informal Gendered Support and Vulnerable Migrant Women in India”</a> in the October issue of the <em>European Journal of Feminist History</em> [<em>L’Homme – Europäische Zeitschrift für feministische Geschichtswissenschaft</em>]</span> <span style="color: #000000;">on the impact of lockdowns on vulnerable women living in some of India’s poorest slums. When Sen wrote her article in May 2020, India was under total lockdown and the state government had ordered it’s 1.3 billion citizens to stay home. Many poor migrant women were trapped indoors with violent spouses, experiencing various types of domestic and sexual abuse, from psychological torture to rape: “This article was born out of conversations I had with my informants. I called them because I was worried about them, and not because I had intended to carry out academic research. They told me what they were dealing with in isolation, and that they would like me to write about it. They wanted to give a wider audience a flavor of what they were going through.</span></p><p><span style="color: #000000;">This allowed me to collect material about how people living below the poverty line, mainly rural and urban migrants, are getting affected by the Covid crisis. If you read the article, then you know that the migrant crisis in India is gigantic. Right now, it has reached a peak. People are dying of starvation, there is no money, no work, and basic facilities are not available. Migrant workers are slowly coming back to the city, but they have been victimized further. Urban residents believe that the migrants are bringing the disease back into the city, which is actually not the case.</span></p><p><span style="color: #000000;">What has been interesting in terms of visibility is that migrant workers have always been undetectable. The fact that cites were run by the labor of migrant workers has remained fairly invisible. Now that the Covid crisis happened, and the migrants stopped working, you can see that the basic infrastructures of the cities are crumbling. Now you don’t have maids, cooks, cleaners, garbage collectors, security guards, construction workers, plumbers, electricians etc. Everything has come to a standstill. So, Covid has visibilized the crisis of the migrant workers, because affluent sections of the urban population are shocked by their absence in the city. Most people have always assumed that cities were run by the middle and upper classes.</span></p><p><span style="color: #000000;">I have been specifically interested in the lives of women, because I think in multiple ways, women are becoming far more vulnerable than men. When any economy slowly reopens, the first jobs are always given to men. The idea is that if you give the job to a man he will provide for the rest of the family, but that is not the case. There is a lot of labor, for example domestic care work, cooking and catering, which are jobs historically taken up by poor women. Now, people don’t want poor women to come and live in their homes. People are setting up separate bathrooms and entrances for domestic workers, so that they never enter the household after they have cooked or cleaned. They are at times given a ‘Covid unit’ to use outside the parameters of a house.”</span></p><p><span style="color: #000000;"><strong>Handling the Covid crisis with solidarity</strong></span></p><p><span style="color: #000000;">Sen points to the remarkable fact that the poorest communities in India have handled the Covid situation most efficiently in terms of curbing spread of the coronavirus. Sen argues that the urban poor look after each other, they are used to living in congested conditions, and are accustomed to adapting to changes related to epidemics: “Amongst poor women, there has always been various forms of solidarity networks. Whether they were formal ones like trade unions, or informal ones like friendships or teacher groups. What has been of interest to me is the extent to which these solidarity networks actually improvised to come in the service of women affected by the Covid crisis. Even BBC, CNN and the international media has had its focus on Mumbai’s Dharavi (the biggest slum in Asia), because it has managed to control the spread of Covid. The medical universe assumed that slums were going to be the super spreaders. But inhabitants of slum areas have managed to live with and address issues related to Covid, because they know how to challenge epidemics. Unlike the urban upper classes, the urban poor have knowledge and skills to deal with disease.</span></p><p><span style="color: #000000;">In most affluent urban neighborhoods, people don’t know their neighbors. But in a slum area, everybody knows their local family and friends. During the outbreak, when a neighbor got a fever, local people would take that person to the fever camps run by the government. I spoke to several doctors who said that affluent people didn’t come to see them, but poor people even with a mild fever came to get tested. When they fell ill, they would isolate themselves by living in these camps, and protecting other people in the slum. And a lot of poor people didn’t have access to disposable medical masks, so they made masks out of cloth, coconut shells or plantation leaves. It was usually the women that came up with these ideas, because they were creative with using domestic and kitchen material. This was what I became interested in: that solidarity network that kicked in for Covid.”</span></p><p><span style="color: #000000;"><strong>Assessing the goal of Gender Equality</strong></span></p><p><span style="color: #000000;">When I asked Sen how she sees the progress towards gender equality, she says that Covid is a setback for gender equality in India: “In different regions of the world, feminist policies have informed the lives of different women, provided employment and continued education, and helped in curbing domestic violence. In the context of Covid in India, I have to say that I haven’t seen substantial change in feminist policy-making. Having said that, there is the national women’s commission in India, which has responded to the unprecedented rise in domestic violence during the covid crisis by setting up WhatsApp Groups and other helplines. But this is still a kind of distant response. Most slum women I work with don’t have a smartphone, so they cannot join these online support groups. So, I still see that India has a long way to go in terms of responding to questions of gender balance and women’s safety in the Covid context</span>.</p><p><span style="color: #000000;">In addition to crises related to violence and women’s labor, many women’s domestic responsibilities have increased enormously, now that they are stuck at home and have become the primary carers of extended family. There are services directed towards policing the streets and medical treatment, but fewer resources are directed towards women’s upliftment in the context of Covid.”</span></p><p><span style="color: #000000;"><em>In your opinion, how should we analyze this preposterous violence against women? Is it a problem that is mostly associated with poor people and the lower classes so that is has to do with class frustration? Or is it simply the patriarchal culture that generates the violence?  </em></span><span style="color: #000000;">“I think it is the overall patriarchal and masculinist cultures in many societies. It has nothing to do with class. One would assume that rural and poor urban women are more vulnerable to sexual violence, but that is not the case. Upper-class and middle-class women also face domestic violence, and it is often related to dowry and the exchange of money during marriage. Affluent women are also forced to live with violent husbands their whole lives. You have intergenerational violence in which in-laws beat up daughters-in-law, and also they set women on fire when their husbands die (wife burning (Sati) is practice that still exists in India). So class has little to do with the act of domestic and sexual violence in India or any other region of the world. Upper class women however do have more opportunities to escape violent marriages.”</span></p><p><span style="color: #000000;"><em>Do you still have optimism about a future with gender equality? </em></span><span style="color: #000000;">“I believe in the ferocity of women to challenge patriarchy globally. There is a fundamental fallacy in this thought: that violence, atrocity and discrimination against women can be normalized just because it was accepted for generations. At some point women will find ways in which to resist marginalization. I have a lot of faith in that resistance. Whether it is a formal resistance by feminists, or informal resistances by ordinary women who add excessive salt in their husbands’ meals to underline their importance within the family. I put my faith in that resistance.”</span></p><p><span style="font-size: 10pt;"><em>Nicklas Alexander Kirchert is Master of Modern Culture and Cultural Dissemination, UCPH, and DDRN Culture Editor</em></span><br /><span style="font-size: 8pt;"><span style="color: #3366ff;">SUPPORT DDRN SCIENCE JOURNALISM. DONATE DKK 20 OR MORE</span><img decoding="async" class="alignnone wp-image-3467 size-full" src="https://ddrn.dk/wp-content/uploads/2020/09/MobilePay-combined.png" alt="" width="315" height="69" data-src="https://old-ddrn-website.ddrn.dk/wp-content/uploads/2020/09/MobilePay-combined.png" srcset="https://ddrn.dk/wp-content/uploads/2020/09/MobilePay-combined.png 315w, https://ddrn.dk/wp-content/uploads/2020/09/MobilePay-combined-300x66.png 300w" sizes="(max-width: 315px) 100vw, 315px" /><span style="color: #3366ff;">(APPLICABLE IN DENMARK ONLY)</span></span></p>								</div>
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									<div><span style="font-size: 10pt;"><img fetchpriority="high" decoding="async" class="ls-is-cached lazyloaded    b-loaded alignnone wp-image-3706 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/11/Billede1-1.png" alt="" width="304" height="350" srcset="https://ddrn.dk/wp-content/uploads/2020/11/Billede1-1.png 304w, https://ddrn.dk/wp-content/uploads/2020/11/Billede1-1-261x300.png 261w" sizes="(max-width: 304px) 100vw, 304px" /></span></div><p style="text-align: center;"><span style="font-size: 10pt;"><strong>Atreyee Sen</strong></span></p><p style="text-align: center;"><span style="font-size: 10pt;"><img decoding="async" class="ls-is-cached lazyloaded    b-loaded alignnone wp-image-3710 size-full" src="https://ddrn.dk/wp-content/uploads/2020/11/AntroUCPH.png" alt="" width="389" height="94" srcset="https://ddrn.dk/wp-content/uploads/2020/11/AntroUCPH.png 389w, https://ddrn.dk/wp-content/uploads/2020/11/AntroUCPH-300x72.png 300w" sizes="(max-width: 389px) 100vw, 389px" /></span></p><p style="text-align: center;"><span style="font-size: 10pt;"><a href="https://scholar.google.com/scholar?hl=en&amp;as_sdt=0%2C5&amp;q=atreyee+sen&amp;btnG=" rel="noopener"><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded    b-loaded aligncenter wp-image-2702 size-full" src="https://ddrn.dk/wp-content/uploads/2019/09/Google-scholar-logo-e1569747203926.jpg" alt="" width="358" height="134" /></a></span></p><p style="text-align: center;"><span style="font-size: 10pt;"><a href="https://www.researchgate.net/profile/Atreyee_Sen" rel="noopener"><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded    b-loaded aligncenter wp-image-2701 size-full" src="https://ddrn.dk/wp-content/uploads/2019/09/ResearchGate_rectangle_green-e1569746813207.jpg" alt="" width="358" height="112" /></a></span></p><p style="text-align: center;"><span style="font-size: 10pt;"><img loading="lazy" decoding="async" class="lazyloaded    b-loaded alignnone 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src="https://ddrn.dk/wp-content/uploads/2020/11/un_women-full.png" alt="" width="878" height="224" srcset="https://ddrn.dk/wp-content/uploads/2020/11/un_women-full.png 878w, https://ddrn.dk/wp-content/uploads/2020/11/un_women-full-300x77.png 300w, https://ddrn.dk/wp-content/uploads/2020/11/un_women-full-768x196.png 768w" sizes="(max-width: 878px) 100vw, 878px" /><img loading="lazy" decoding="async" class="lazyloaded    b-loaded alignnone wp-image-3719 size-full" src="https://ddrn.dk/wp-content/uploads/2020/11/shadowpandemic-banner-ef40f.png" alt="" width="945" height="443" srcset="https://ddrn.dk/wp-content/uploads/2020/11/shadowpandemic-banner-ef40f.png 945w, https://ddrn.dk/wp-content/uploads/2020/11/shadowpandemic-banner-ef40f-300x141.png 300w, https://ddrn.dk/wp-content/uploads/2020/11/shadowpandemic-banner-ef40f-768x360.png 768w" sizes="(max-width: 945px) 100vw, 945px" /></span></p><p style="text-align: center;"><span style="font-size: 10pt;"><img loading="lazy" decoding="async" 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									<p><span style="font-size: 10pt;"><strong>References</strong></span></p><p><span style="font-size: 10pt;"><strong>Sen, Atreyee. 2019. “’Live where the theorists live’: Urban safety, diverse neighborhoods and bomb blasts in Manchester and Mumbai.” <em>Anthropology Today</em>. 35 (6). 11-13</strong></span></p><p> </p><p><span style="font-size: 10pt;"><strong>Sen, Atreyee. 2019. “‘Teach your Girls to Stab, Not Sing’: Right-Wing Activism, Public Knife Distribution, and the Politics of Gendered Self-Defense in Mumbai. India.” <em>Signs: Journal of Women in Culture and Society</em>. 44 (3). 743-770</strong></span></p><p> </p><p><span style="font-size: 10pt;"><strong>Sen, Atreyee. 2019. “Gods, Gurus, Prophets and the Poor: Exploring Informal, Interfaith Exchanges amaong Working Class Female Workers in an Indian City.” <em>Religions</em>. 10 (9), 531. 1-13 </strong></span></p><p><span style="font-size: 10pt;"><strong> </strong></span></p><p><span style="font-size: 10pt;"><strong>Sen, Atreyee et. al. 2020. “(En)countering sexual violence in the Indian City.”<em>Gender Place &amp; Culture – A Journal of Feminist Geography</em>. 27 (1). 1-12</strong></span></p><p> </p><p><span style="font-size: 10pt;"><strong>Sen, Atreyee. 2020. “<em>Love-Jihad</em> (Muslim Sexual Seduction) and <em>ched-ched</em> (sexual harassment): Hindu nationalist discourses and the Ideal/deviant citizen in India.” <em>Gender Place &amp; Culture – A Journal of Feminist Geography</em>. 27 (1). 104-125</strong></span></p><p> </p><p><span style="font-size: 10pt;"><strong>Sen, Atreyee. 2020. “Pandemic Rape: The Corona Crisis, Informal Gendered Support and Vulnerable Migrant Women in India.” <em>L’Homme – Europäische Zeitschrift für feministische Geschichtswissenschaft</em>. 31 (2). 135-140</strong></span></p>								</div>
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		<title>Ravinder Kaur: From ‘Third World’ to ‘Emerging Market’</title>
		<link>https://ddrn.dk/3356/</link>
		
		<dc:creator><![CDATA[Nicklas Kirchert]]></dc:creator>
		<pubDate>Thu, 03 Sep 2020 12:16:23 +0000</pubDate>
				<category><![CDATA[Art and Humanities]]></category>
		<category><![CDATA[Opinions]]></category>
		<guid isPermaLink="false">https://ddrn.dk/?p=3356</guid>

					<description><![CDATA[To talk about development is to talk about change. And along the notion of change comes the idea of ‘the new’. The notion of development goals for the future world has been around for quite some time. In this article we look at the contemporary notion of change and ‘the new’ in the region generally referred to as the ‘developing world’. This article specifically focuses on the rise of India as a ‘brand new nation, and how we went from talking about ‘developing countries’ or ‘Third World’ countries to ‘Emerging Markets’.]]></description>
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									<p>To talk about development is to talk about change. And along the notion of change comes the idea of ‘the new’. The notion of development goals for the future world has been around for quite some time. In this article we look at the contemporary notion of change and ‘the new’ in the region generally referred to as the ‘developing world’. This article specifically focuses on the rise of India as a ‘brand new nation’, and how we went from talking about ‘developing countries’ or ‘Third World’ countries to ‘Emerging Markets’. And we pay attention to the ambiguous affects and ideological consequences that arise from this change.   </p><p>I went to the University of Copenhagen’s South Campus to talk to PhD, Associate Professor and Head of Center at Modern South Asian Studies, Ravinder Kaur, about how a nation’s experience of change. When I step into the professor’s office, I notice a fascinating array of pictures on the walls. Our appointment takes place late February 2020 where protests against the Indian government’s 2019 Citizen Amendment Act are still taking place. On Dr. Kaur’s walls I see pictures of protestors demonstrating their solidarity with those threatened with exclusion from <a href="https://www.bbc.com/news/world-asia-india-50670393" target="_blank" rel="noopener noreferrer">citizenship</a> in India.</p><p>After receiving her MPhil in International Politics and South Asian Studies from the Jawaharlal Nehru University in New Delhi, Dr. Kaur came to the Danish Institute for International Studies (DIIS) and Roskilde University to do her PhD in International Development Studies. Today Dr. Kaur is an associate professor and head of Center at Modern South Asian Studies at the Department of Cross-Cultural and Regional Studies (ToRS), University of Copenhagen (UCPH). </p><p><strong>Brand New Nation</strong></p><p>Dr. Kaur has invited me to discuss about her forthcoming book <em>Brand New Nation – Capitalist Dreams and Nationalist Designs in Twenty-First Century India</em> (to be published August 4, 2020). Kaur tells me that the book presents her work on India’s historical notion of itself as a ‘new nation’. Specifically, how the country went from colonial to postcolonial India and later evolved into its present state of ‘emerging market’: ”The work that I’m doing is basically about transformation and change. Since the mid-twentieth century the idea of development has been central to the making of the North/South power relations. This is the broader framework we have grown up with, also in the realm of scholarship. The change that I’m looking at is that ‘the south is now not deemed as the South anymore’. The nations in the global south are no longer seen as developing nations but are now referred to as emerging markets. Consider how increasingly financial assistance from the Western nations is increasingly labeled as ‘emerging market funds’ focused on innovation and enterprise rather than development aid.</p><p>What becomes apparent is that something <em>new</em> has been happening in the way nations in the global south are seen and imagined.</p><p>If you start to look back at the term ‘New India’, you will be surprised how old it actually is. When the term ‘new’ was used for the first time in the 19<sup>th</sup> century it was coined to indicate its entry into the world of British imperialism. It later came to be used to indicate social reform movements and later the anti-colonial struggle that led to the formation of an Independent India. Thus, terms like ‘the Dawn of new India’ or the birth of “New India” were associated with the emergence of India as a free nation.</p><p>Today, when we speak about New India, then the freedoms we speak about are mostly in economic terms, the <em>mobility of capital</em>. This language of economic freedoms emerged from the 1990’s economic reforms – or what was labeled as liberalization, privatization, globalization (LPG) – that worked to bring down trade barriers and open markets to foreign capital investments. This, broadly speaking, is the phenomenon of ‘emerging market’ that gained currency in the early twenty-first-century. Across Asia, Africa, and Latin America, nations began making structural adjustments to their economic institutions to open up for capital investments.</p><p>The present idea of ‘New India’, in that sense, is closely aligned with economic liberalization. This is the phenomenon that I have been trying to study. I call this phenomenon the making of the “brand new nation” that addresses how the nation has been <em>rebranded</em> as an investment destination. The idea of an investment destination is what I am calling a ‘brand’ – a double meaning of the word ‘brand’; as <em>commodity </em>and as something that <em>flags its</em> <em>newness</em>. ‘New’ as a claim, that ‘this is something new’. In business policy circles, investors often tend to speak about nations as futures commodity, that is, speculate whether a given territory is currently the investment hotspot, or where the next big growth is going to be.”</p><p><strong>Incredible India</strong></p><p>As the phenomenon of ‘New India’ is both an economic and cultural change, Kaur has paid attention to the circulation of <em>new</em> <em>imagery </em>in making its newness. Along the production of new images of ‘New India’ a new notion of ‘nation’ has been established. Kaur explains that a lot of this imagery is made for a global audience to generate tourism, however, Kaur has drawn attention to a domestic circulation of these tourist campaigns: “The Incredible India campaign was meant as a tourist campaign to present a different image of India to the world. But surprisingly a very large consumption of those images took place in India. In today’s digital age, images can’t really be controlled, or limited to specific audience. Incredible India images gained currency among Indians who started circulating those images. Incredible India imagined and showed India in a way the Indians wanted the world to see India.</p><p>The typical image of the ‘<a href="https://www.incredibleindia.org/content/incredible-india-v2/en/experiences/unesco-world-heritage-sites.html" target="_blank" rel="noopener noreferrer">Incredible India’</a> campaign is a beautiful clean image and one of the most remarkable thing is that there are hardly any people in it – which is surprising given that India is the worlds most populated place. What this indicates is how you would like to be seen – a kind of self-portrait – that contributes to the making of a new <em>national identity </em>which looks beautiful and attractive. So Incredible India became something everyone wanted to take part in, not just people but also big export firms. These images become something to hold on to and at the same time used almost as a trademark of novelty.”</p><p><strong>Global Nationalism</strong></p><p>What is remarkable in Kaur’s research is how it reveals the close affinity of what we call globalization with the resurgence of nationalism. Kaur claims that while globalization has opened the world for multinational investment, this global movement of capital plays a big role in shaping nation and nationalism in the twenty-first-century. This helps explain why we in recent years have seen a worldwide return to nationalism under globalization:</p><p>“The idea of globalization, at first, seems in contradiction to the idea of nationalism, yet seeing through the processes of <em>branding specific territory and specific nations, </em>we get a different picture. The ‘brand-new nation’ I am speaking about is a particular form of nationhood or particular form of nation and nationalism which has become part of our life in the 21<sup>st</sup> century. I was not very surprised when people stated saying that globalization is falling apart, and that nationalism is back. This is because you could see that national identity had never been weakened or dissolved and instead was taking a new shape all along albeit on different lines. Lets take a step back here. When we think of nation and nationalism, it is often in cultural historical terms. We are more used to the romantic notion, where the nation is seen as ‘a living thing’, where land and people, poetry and landscape is seen as part of that entity. The nation, this, is often referred to as the fatherland or the motherland just like human figures. What I am showing is something different, namely, that the nineteenth century idea of nation and nationalism is not sufficient to understand the twenty-first-century reality. We see that <em>the nation</em> has been put to work as a place/idea/resource where you produce economic growth. The economic and material side has always been important but it is now more visible than ever. There is nothing new in that trade is important and looking for material riches, but what is different in this is that this is no longer something to be ashamed of. That it is something we don’t hide. Actually, <em>the more income or wealth you can produce, the more capital you can accumulate, the more it is seen as a kind of reification of the nation</em>. The inflow of capital is often interpreted as a sign of approval of the nation and its culture ‘we are so loved that so many people want to come here’. The emotional side of this is important. When we speak of optimism and hope, it cannot be quantified, you cannot make quantitative data to put down, but they play a tremendously important role in creating a particular kind of reputation or image or brand imagery.”</p><p><strong>Innovative India</strong></p><p>Another stunning point that Kaur’s makes is that the North-South-Dichotomy is being reshaped in the 21<sup>st</sup> century. In her article “The Innovative Indian” (2016) Kaur points to the change of status that India has seen on the global scene: “For someone who has been working with development studies for long, I thought it was quite dramatic to see, how the Indian people who previously were seen as poor and in the need of development aid were now being portrayed as innovative entrepreneurs”. With reference to the influential book <em>The Fortune at the Bottom of the Pyramid </em>(2004) by Indian professor of Corporate Strategy C.K. Prahalad (1941-2010), Kaur explains how the poor Indian people came to be perceived as an emerging group of consumers and innovators: “The influential idea that gained currency was that businesses have overlooked the potential of the poor as consumers. If you just start looking at them as consumers, you can solve a lot of problems. This was a major shift in the gaze. We were being asked to no longer look upon the poor as deserving sympathy and help, and instead see them as consumers. Take this scene in a short film shot in a Mumbai slum where C.K. Prahalad points to a boy collecting and organizing garbage and says, ‘look! on the street everyone is a hustler’. The garbage collector is seen anew as an entrepreneur capable of hustle. This is the <em>neoliberal approach</em>, that if only the free market was allowed to operate with total freedom then all of these people who have been caged and trapped, they would be liberated, and this would eventually trickle down wealth and prosperity. The mirror version of this logic is used in this part of the world (northern European countries) as a critique of the welfare state. Once the former British prime minister David Cameron referred to the Indian economic upheaval and innovativeness as motivated by ‘hunger’ and that the British society could benefit from experiencing such hunger. This is a (new) reimaging of the poor; first as consumers second as innovators.”</p><p><strong>Interrupting the North-South-Dichotomy</strong></p><p>It is also necessary to look at the shifting perception of the global south in ‘the developed’ part of the world: “What does it mean for the part of the world that has previously been referred to as the developing world to now be called emerging markets? Words are not meaningless, and they can activate an apparatus which can also create a world of its own. It is important, then, also in the global north to think about what these words do. The idea that ‘the south’ cannot exist without ‘the north’ has always been the power dynamic which has shaped our lives in different ways.</p><p>Yet the north-south dynamics are getting more blurred. Consider the ongoing backlash against globalization in the global north with factories shutting down and jobs moving elsewhere. Capital has of course moved on elsewhere looking for cheaper labor, that’s how capital works. For example, a place like Detroit which was known for its car industry was abandoned by the manufacturers. This abandonment came to be spoken of as the “third-worldization” of Detroit. What we see here is the language of hopelessness associated with the old third world was being used in this context. On one hand, it seems, there is no other language than the north-south contrasts to describe what is happening in Detroit, yet these geographies that have been fixed (North=Prosperity,  South =Deprivation) are getting disrupted. What I am saying is that many of these geographies that we are very familiar with are not that certain anymore, and that is important. Similar in Denmark we have started talking about <em>peripheral Denmark</em> [Udkantsdanmark], (referring to the American Marxian Sociologist Immanuel Wallerstein’s term of ‘the periphery’) when we speak about deprivation. This is the same process of accumulation and abandonment when capital moves elsewhere in search of growth.”</p><p><em>Nicklas Alexander Kirchert is Master of Modern Culture and Cultural Dissemination, UCPH, and DDRN Culture Editor</em></p>								</div>
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									<div style="text-align: left;"><figure id="attachment_3441" class="wp-caption aligncenter" aria-describedby="caption-attachment-3441"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3441 size-large alignleft" src="https://ddrn.dk/wp-content/uploads/2020/09/Ravinder-Kaur-2020-portrait-925x1024.jpg" alt="" width="925" height="1024" srcset="https://ddrn.dk/wp-content/uploads/2020/09/Ravinder-Kaur-2020-portrait-925x1024.jpg 925w, https://ddrn.dk/wp-content/uploads/2020/09/Ravinder-Kaur-2020-portrait-271x300.jpg 271w, https://ddrn.dk/wp-content/uploads/2020/09/Ravinder-Kaur-2020-portrait-768x850.jpg 768w, https://ddrn.dk/wp-content/uploads/2020/09/Ravinder-Kaur-2020-portrait-1387x1536.jpg 1387w, https://ddrn.dk/wp-content/uploads/2020/09/Ravinder-Kaur-2020-portrait-1849x2048.jpg 1849w" sizes="(max-width: 925px) 100vw, 925px" /></span><figcaption id="caption-attachment-3441" class="wp-caption-text"><span style="font-size: 8pt;"><strong>Ravinder Kaur</strong></span></figcaption></figure><p style="text-align: left;"><span style="font-size: 8pt;"><strong> </strong></span></p></div><p style="text-align: left;"><span style="font-size: 8pt;"><a href="https://dk.linkedin.com/in/ravinder-kaur-4450b136" rel="noopener"><img loading="lazy" decoding="async" class="lazyloaded b-loaded aligncenter wp-image-2700 size-full" src="https://ddrn.dk/wp-content/uploads/2019/09/Linkedin-logo.jpg" alt="" width="358" height="87" srcset="https://ddrn.dk/wp-content/uploads/2019/09/Linkedin-logo.jpg 358w, https://ddrn.dk/wp-content/uploads/2019/09/Linkedin-logo-300x73.jpg 300w, https://ddrn.dk/wp-content/uploads/2019/09/Linkedin-logo-357x87.jpg 357w" sizes="(max-width: 358px) 100vw, 358px" /></a></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloading wp-image-2744 size-large aligncenter" src="https://ddrn.dk/wp-content/uploads/2019/10/UCPH-logo-1024x362.jpg" alt="" width="1024" height="362" data-src="https://old-ddrn-website.ddrn.dk/wp-content/uploads/2019/10/UCPH-logo.jpg" srcset="https://ddrn.dk/wp-content/uploads/2019/10/UCPH-logo-1024x362.jpg 1024w, https://ddrn.dk/wp-content/uploads/2019/10/UCPH-logo-300x106.jpg 300w, https://ddrn.dk/wp-content/uploads/2019/10/UCPH-logo-768x272.jpg 768w, https://ddrn.dk/wp-content/uploads/2019/10/UCPH-logo.jpg 1860w" sizes="(max-width: 1024px) 100vw, 1024px" /></span></p><div style="text-align: left;"><span style="font-size: 8pt;"><a href="https://ku-dk.academia.edu/RavinderKaur" rel="noopener"><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded b-loaded aligncenter wp-image-2599 size-full" src="https://ddrn.dk/wp-content/uploads/2019/08/Academia_logo.jpg" alt="" width="156" height="37" srcset="https://ddrn.dk/wp-content/uploads/2019/08/Academia_logo.jpg 156w, https://ddrn.dk/wp-content/uploads/2019/08/Academia_logo-150x37.jpg 150w" sizes="(max-width: 156px) 100vw, 156px" /></a></span></div><div style="text-align: left;"> </div><p style="text-align: left;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded b-loaded wp-image-2702 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2019/09/Google-scholar-logo-e1569747203926.jpg" alt="" width="358" height="134" /></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3362 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/06/journal_front.jpg" alt="" width="555" height="790" srcset="https://ddrn.dk/wp-content/uploads/2020/06/journal_front.jpg 555w, https://ddrn.dk/wp-content/uploads/2020/06/journal_front-211x300.jpg 211w" sizes="(max-width: 555px) 100vw, 555px" /></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3364 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/06/bookfront.jpg" alt="" width="296" height="445" srcset="https://ddrn.dk/wp-content/uploads/2020/06/bookfront.jpg 296w, https://ddrn.dk/wp-content/uploads/2020/06/bookfront-200x300.jpg 200w" sizes="(max-width: 296px) 100vw, 296px" /></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3363 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/06/m_coverimage.png" alt="" width="520" height="693" srcset="https://ddrn.dk/wp-content/uploads/2020/06/m_coverimage.png 520w, https://ddrn.dk/wp-content/uploads/2020/06/m_coverimage-225x300.png 225w" sizes="(max-width: 520px) 100vw, 520px" /></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><strong>References</strong></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><strong>Kaur, Ravinder. 2015. “Post-exotic India: On Remixed Histories and Smart Images”. <em>Identities: Global Studies in Culture and Power</em><em>, 23(3).</em> 307-326</strong></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><strong>Kaur, Ravinder. 2015. ”Good Times, Brought to you by Brand Modi”. <em>Television &amp; New Media</em>, <em>16(4)</em>, 323-330</strong></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><strong>Kaur, Ravinder. 2016. ”The Innovative Indian: Common Man and the Politics of Jugaad Culture”. <em>Contemporary South Asia, 24</em><em>(</em><em>3</em><em>)</em>, 313-327</strong></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><strong>Kaur, Ravinder. 2018.”World as Commodity, Or, How the ’Third World’ Became an ’Emerging Market’”. <em>Comparative Studies of South Asia, Africa and the Middle East</em><em>,</em><em> 38</em><em>(</em><em>2</em><em>)</em>. Duke University Press, 377-395</strong></span></p><p><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3442 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/09/India-incredible.jpg" alt="" width="600" height="393" srcset="https://ddrn.dk/wp-content/uploads/2020/09/India-incredible.jpg 600w, https://ddrn.dk/wp-content/uploads/2020/09/India-incredible-300x197.jpg 300w" sizes="(max-width: 600px) 100vw, 600px" /></span></p>								</div>
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		<title>REVIEW: Veronica Velasco’s Nuuk at the Copenhagen Asian Film Festival (CAFF)</title>
		<link>https://ddrn.dk/3296/</link>
		
		<dc:creator><![CDATA[Nicklas Kirchert]]></dc:creator>
		<pubDate>Wed, 03 Jun 2020 19:42:37 +0000</pubDate>
				<category><![CDATA[Art and Humanities]]></category>
		<category><![CDATA[Good health and well-being]]></category>
		<category><![CDATA[Reviews]]></category>
		<guid isPermaLink="false">https://ddrn.dk/?p=3296</guid>

					<description><![CDATA[Veronica Velasco’s movie 'Nuuk' (2019) has been described elsewhere as “The Filipino Take on a Nordic Noir Film”. To what extend this claim plays a role in choosing Nuuk for the Copenhagen Asian Film Festival's (CAFF) “Closing Gala Film” has not been expounded. However, a picture on Filipino immigrant diaspora in the Danish postcolonial region, is definitely a well-chosen theme to give special attention to.]]></description>
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									<p>At DDRN we disseminate Global South researchers’ scientific contribution towards UN’s Sustainable Development Goals (SDG). So why this film review all of a sudden? Well, as the SDG’s is an agreement between members of The United Nations to work towards the 17 goals, the pathway towards these goals is obviously one of <em>progress</em>. In realizing sustainable solutions, scientific research and technology plays a vital role in putting these solutions to work. While technology works towards providing the solution, art has always enlightened and investigated the problems. One can say that art is a special type of research.</p><p>In terms of making progress towards the SDGs, attention to global social issues is essential, and while the solution to these social issues are of a political nature, reflecting our lived experience is no lesser political gesture. Art has always awakened the collective perception of social issues and made special impetus to political sentiments. It is fair to believe that art will play its usual enlightening and critical role in the quest for social progress and justice, which all SDGs adhere to.</p><p>By that token, I will tell you about a new Danish Asian film festival in Copenhagen that promotes Asian cinema and give you my thoughts on the film <em>Nuuk</em> by the Filipino director Veronica Velasco.     </p><p><strong>Copenhagen Asian Film Festival</strong></p><p>Copenhagen Asian Film Festival (CAFF) is the first Scandinavian pan-Asian film festival. Running for one week (February 10<sup>th</sup>-16<sup>th</sup>, 2020) with screenings at multiple Copenhagen theaters, the non-profit festival presented 28 pictures from 7 different Asian countries (South Korea: 10, China: 8, Japan: 5, Philippines: 2, Vietnam: 1, Malaysia: 1, Thailand: 1). CAFF’s program payed special tribute to South Korean director Bong Joon-Ho and the festival obviously benefitted from the director’s significant acclaim at the year’s Academy Awards, where Joon-Ho received 4 statuettes for his film <em>Parasite</em> (2019) (best picture, best director, best original screenplay, best international feature film).</p><p>Besides CAFF’s Bong Joon-Ho retrospective, CAFF displayed several themes on distinguished Asian film genres (Japanese Pinku, Manga, Female Revenge Films) and payed special homage to Chinese actor and martial arts legend, Gordon Liu, and the historical Hong Kong production company Shaw Brothers, famous for its Kung Fu movies. On the festival’s homepage, CAFF explains its cultural vision “to contribute to the diversifications of the representation of Asian Movies in Denmark [and] to bring wide audience (and critical) attention to both New &amp; Classic Asian cinema”. </p><p><strong>Nuuk</strong></p><p>Among CAFF’s two Filipino movies was Veronica Velasco’s <em>Nuuk </em>(2019). Velasco’s movie has been described elsewhere as “The Filipino Take on a Nordic Noir Film”. To what extend this claim plays a role in choosing <em>Nuuk</em> for CAFF’s “Closing Gala Film” has not been expounded. However, a picture on Filipino immigrant diaspora in the Danish postcolonial region, is definitely a well-chosen theme to give special attention to. In addition to the obvious Danish related theme, there are a few more links between this Pinoy picture and Denmark. <em>Nuuk</em> is co-produced by The Embassy of Denmark in the Philippines, and the first screening took place as the opening film for the annual 5<sup>th</sup> Danish Film Festival in Manilla, October 2019. CAFF’s Sunday-night-screening of <em>Nuuk</em> was the first to take place outside the Philippines.</p><p> <strong>Filipino diaspora in Greenland</strong></p><p><em>Nuuk</em> is the first Filipino film shot in Greenland. Nevertheless, it is not the first time Velasco explores the cinematic and dramatic potential of the North Atlantic scenery. Velasco’s <em>Through Night and Day</em> (2018) takes place in Iceland. While <em>Through Night and Day </em>is a romantic comedy, <em>Nuuk</em> has been described by the director herself as an attempt to “make an intelligent film” (Eugenio 2019). Whether the intelligent achievement necessitates a departure from the ‘romcom format’ is outside my scope, however, <em>Nuuk</em> is not a romantic comedy. Love, romance and drama motivates the storyline, but <em>Nuuk</em> does not want you to laugh. Instead, <em>Nuuk</em> wants its viewer to experience depression, desolation and alienation. I will be focusing on what <em>Nuuk</em> offers the viewer in respect of cultural insight and knowledge on Filipino immigrant culture in Greenland and how the movie aesthetically reflects these themes. I find the film’s force to be its approach to the meeting of two cultures, that are immensely different, but which both share a violent history.</p><p>The story unfolds as we meet the recently widowed Elaisa Svendsen, played by the Filipino-American actress and former model and beauty queen Alice Dixson. Suffering from depression over her deceased husband, she lives a desolated life with heavy consumption of both Prozac and vodka. One day, while Elaisa’s trip to the local pharmacy, she meets Mark Alvarez (Aga Muhlach), a fellow Pinoy sailor. Elaisa and Mark engage in a friendship that later evolves into romance (Casting Dixson and Muhlach as co-protagonist can be seen as a pop-cultural reference/reunion, the two of them having co-stared in the 1992 Pinoy melodrama Sinungaling Mong Puso).</p><p>Elaisa has difficulties with her son Karl (played by the Greenlandic filmmaker and actor Ujarneq Fleischer). Karl is a young man wild at heart. He drinks heavily and engages in non-committing relationships with various young women. Karl is particularly marked by what has been called Greenland’s ‘suicide culture’, as his late girlfriend killed herself. This worries Elaisa, who finds the Greenlandic youth culture to be excessively oriented towards casual sex and alcohol. She evaluates Karl’s life as a young Greenlander compared to her youth in the Philippines which gives her regrets and melancholia about her life in Greenland. Elaisa is worried that Karl will die from one of his drunken nights out. Specifically, that an eventual intoxicated blackout in the Arctic sub-zero will freeze him to death.</p><p>Both Elaisa and Mark are appalled by the high suicide rate among Greenland’s youth. While they both experience the psychological toll of the Arctic winters, they cannot grasp how a welfare state can allow its youth to self-extinguish. Through the love story of Elaisa and Mark, the film unfolds themes of homesickness and cultural disorientation. By these means, the film succeeds to some extend in reflecting the abstruse feelings of migrant cultures in the Arctic countries. It is a shame though that the film does not develop more on these themes. <em>Nuuk </em>is foremost concerned with its dramatic story which regretfully may seem as a contrived way to adapt the cultural and political themes into mainstream entertainment. Consequently, Velasco is running a big risk of letting the slightly unconvincing drama overshadow the more original aspects of her movie.</p><p><strong>The cross and Hans Egede</strong></p><p>As Filipino migration has seen a remarkable rise among people who seek professional opportunities in Greenland’s restaurant and hotel businesses, a new intercultural experience arises in the arctic society. Filipinos are in fact the biggest minority in Greenland. Statistics of 2018 showed that in 2017 out 970 immigrates living in Greenland, 215 were Filipinos (Statistics Greenland 2018).</p><p><em>Nuuk’s</em> original contribution is how it reflects the complex migrant experiences thought juxtaposed aesthetics. Counterpoints of life in the North Atlantic unfolds when we see Elaisa and Mark walk a Nuuk cemetery in the vast tundra landscape. Endless rows of cemetery crosses that face the grey-blue ocean, mountain and sky, exhibit a sublimity that escapes any fixed impression. Beauty, sorrow, violence, coldness, tenderness and tropical memories coexist in this scene. One could well imagine how the grey and cold scenery might reflect the sometimes-alienating experience of the Filipino immigrant.</p><p>Beauty and mythic appeal emit when director Velasco make use of Inuit folklore, tales and chants. These elements work very well in complementing the dramatic storyline. By creating this aesthetic tension of Greenland’s indigenous culture and its stunningly beautiful while rough and merciless tundra, Velasco has proved an original refection of a new Filipino reality in the Arctic.</p><p>Overlooking the city of Nuuk stands a big statue of the Dano-Norwegian priest and missionary Hans Egede. The statue is a famous monument in the city and commemorates Egede’s colonial contribution in Christianizing the Innuits and founding the city of Nuuk. As the ‘founder’ of Nuuk, Egede symbolizes the transition from a pre-Christian and self-sustainable region to a modern, Euro-Lutheran and commercial city.</p><p>Statistic indicators show that the suicide rate surged in the 1960’s approximately 10 years after the modernizing Greenland Commission was established (Nørgaard 2019). The French sociologist Émile Durkheim (1858-1917) wrote in his book <em>Le Suicide</em> from 1897 on four different kinds of suicides. One type is what Durkheim terms the ‘Anomic Suicide’. Anomic means ‘without norm’. Durkheim coins the term to changing societies when dramatic economic and social upheaval takes place, for example, in the modernization and industrialization of a society. Such social and economic changes cause social confusion as the members of society are forced to leave their traditional metaphysics, morals and ethics. Colonization and modernization have not only exploited Greenland for its natural resources, it has concurrently imposed Western morals and ethics on the indigenous people. While modernization have brought economic wealth and medical health to some, this imposition has made an unequivocal contribution to social, cultural and societal disorientation for people in contemporary Greenland. Having no clear indications of purpose in the society one lives in, fails in keeping communal solidary. This is but one sociological aspect that motivates the anomic suicide in the modern world, according to Durkheim.       </p><p>Even though Velasco’s movie is drama based and generally omits moral engagement, the colonial tokens cannot but give connotations to the historical consequences that are now leading these Filipino workers to the Arctic region. <em>Nuuk</em> draws attention to young people’s suicide in Greenland and the violent past and presence of the Philippines. In doing so, it juxtaposes the postcolonial experience of both island nations (The Philippines was a Spanish colony from 1565-1898 and an American colony from 1898-1946).</p><p>The challenges of all postcolonial countries are complex and manifold, but they all share a common coping with the history of imperialism. In history, imperialism has generally been considered as ‘progress’ through the pleasing narrative of enlightenment, Christianity and economic wealth. Today, it is important to ask the question, if we have left the imperialistic ideology altogether? Even more crucial, is acknowledging that the present unequal economic and social situation, is a real consequence of this ideology and its history. So what political solution is needed for leaving the imperialists world order altogether?                </p><p>Coming back to art’s role in the SDG. When we evaluate the path of progress towards a more sustainable, just and healthier world, we should re-evaluate our historical notion of progress. We must pay critical awareness to the history of a once sustainable world, that has taken its toll for what was once perceived as progress.</p><p><em>Nicklas Alexander Kirchert is Master of Modern Culture and Cultural Dissemination, UCPH, and DDRN Culture Editor</em></p>								</div>
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									<p><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3318 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/06/NUUK-plakat.jpg" alt="" width="674" height="1000" srcset="https://ddrn.dk/wp-content/uploads/2020/06/NUUK-plakat.jpg 674w, https://ddrn.dk/wp-content/uploads/2020/06/NUUK-plakat-202x300.jpg 202w" sizes="(max-width: 674px) 100vw, 674px" /></p>								</div>
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					<h2 class="elementor-heading-title elementor-size-default">NUUK CINEMA TRAILER 2019</h2>				</div>
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									<p><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3319 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/06/CAFF-logo.png" alt="" width="804" height="272" srcset="https://ddrn.dk/wp-content/uploads/2020/06/CAFF-logo.png 804w, https://ddrn.dk/wp-content/uploads/2020/06/CAFF-logo-300x101.png 300w, https://ddrn.dk/wp-content/uploads/2020/06/CAFF-logo-768x260.png 768w" sizes="(max-width: 804px) 100vw, 804px" /></span></p><div style="text-align: center;"><span style="font-size: 8pt;"><a href="https://www.imdb.com/name/nm2436004/" rel="noopener"><img loading="lazy" decoding="async" class="lazyloaded b-loaded alignnone wp-image-3321 size-full" src="https://ddrn.dk/wp-content/uploads/2020/06/Veronica-Velasco.jpg" alt="" width="214" height="317" srcset="https://ddrn.dk/wp-content/uploads/2020/06/Veronica-Velasco.jpg 214w, https://ddrn.dk/wp-content/uploads/2020/06/Veronica-Velasco-203x300.jpg 203w" sizes="(max-width: 214px) 100vw, 214px" /></a></span></div><p style="text-align: center;"><span style="font-size: 8pt;"><strong>Director Veronica Velasco</strong></span></p><p style="text-align: center;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded alignleft wp-image-3323 size-full" src="https://ddrn.dk/wp-content/uploads/2020/06/NUUK-1-1.jpg" alt="" width="930" height="500" srcset="https://ddrn.dk/wp-content/uploads/2020/06/NUUK-1-1.jpg 930w, https://ddrn.dk/wp-content/uploads/2020/06/NUUK-1-1-300x161.jpg 300w, https://ddrn.dk/wp-content/uploads/2020/06/NUUK-1-1-768x413.jpg 768w" sizes="(max-width: 930px) 100vw, 930px" /></span></p><p style="text-align: left;"><span style="font-size: 8pt;"><strong>References</strong></span></p><p style="text-align: left;"><span style="font-size: 8pt;">Durkheim, Émile [1897] (2005). <em>Suicide</em>. Routledge  </span></p><p style="text-align: left;"><span style="font-size: 8pt;">Eugenio, Anne Marielle (2019). <a href="https://insidemanila.ph/article/831/nuuk-highlights-the-filipino-take-on-a-nordic-noir-film" rel="noopener">”Nuuk Highlights The Pilipino Take on a Nordic Noir Film,” Inside Manilla. October 8<sup>th</sup> 2019</a>. Accessed March 16<sup>th</sup>, 2020.</span></p><p style="text-align: left;"><span style="font-size: 8pt;">Nørgaard, Cathrine Marie (2019). <a href="https://www.kristeligt-dagblad.dk/liv-sjael/unge-i-groenland-er-selvmord-blevet-en-kultur" rel="noopener">“For unge i Grønland er selvmod blevet en kultur,”</a> <em>Kristeligt Dagblad</em>. November 24<sup>th</sup>, 2018, updated March 24<sup>th</sup>, 2019. Accessed March 16<sup>th</sup>, 2020.</span></p><p style="text-align: left;"><span style="font-size: 8pt;">Statistics Greenland (2018). <a href="http://www.stat.gl/dialog/main.asp?lang=en&amp;sc=BE&amp;subthemecode=o1&amp;colcode=o&amp;version=201801" rel="noopener">“2018 Population”</a>.   (immigration)</span></p><p style="text-align: center;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded b-loaded alignleft wp-image-1197 size-large" src="https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-1024x1024.png" alt="" width="1024" height="1024" srcset="https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-1024x1024.png 1024w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-150x150.png 150w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-300x300.png 300w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-768x768.png 768w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-32x32.png 32w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-50x50.png 50w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-64x64.png 64w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-96x96.png 96w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-128x128.png 128w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03-500x500.png 500w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-03.png 1536w" sizes="(max-width: 1024px) 100vw, 1024px" /></span></p><p style="text-align: center;"><span style="font-size: 8pt;"><strong>Related films</strong></span></p><p style="text-align: center;"><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class=" lazyloaded b-loaded alignleft wp-image-3324 size-full" src="https://ddrn.dk/wp-content/uploads/2020/06/Heartbound-plakat.jpg" alt="" width="699" height="1000" srcset="https://ddrn.dk/wp-content/uploads/2020/06/Heartbound-plakat.jpg 699w, https://ddrn.dk/wp-content/uploads/2020/06/Heartbound-plakat-210x300.jpg 210w" sizes="(max-width: 699px) 100vw, 699px" /></span></p><p><span style="font-size: 8pt;"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3325 size-large aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/06/TheFightforGreenland-717x1024.jpeg" alt="" width="717" height="1024" srcset="https://ddrn.dk/wp-content/uploads/2020/06/TheFightforGreenland-717x1024.jpeg 717w, https://ddrn.dk/wp-content/uploads/2020/06/TheFightforGreenland-210x300.jpeg 210w, https://ddrn.dk/wp-content/uploads/2020/06/TheFightforGreenland-768x1097.jpeg 768w, https://ddrn.dk/wp-content/uploads/2020/06/TheFightforGreenland.jpeg 896w" sizes="(max-width: 717px) 100vw, 717px" /></span></p>								</div>
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		<title>Thabit Jacob: Winners and losers in the green energy transition</title>
		<link>https://ddrn.dk/3243/</link>
		
		<dc:creator><![CDATA[Nicklas Kirchert]]></dc:creator>
		<pubDate>Fri, 01 May 2020 09:48:47 +0000</pubDate>
				<category><![CDATA[Affordable and clean energy]]></category>
		<category><![CDATA[Climate action]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Peace, justice and strong institutions]]></category>
		<category><![CDATA[Reduced inequalities]]></category>
		<guid isPermaLink="false">https://ddrn.dk/?p=3243</guid>

					<description><![CDATA[Achieving UN’s Sustainable Development Goals (SDG) requires careful attention to the risk of potential contradictions between the individual goals. For instance, how do we make energy both clean, affordable and accessible? Tanzanian Doctoral researcher Thabit Jacob’s scholarly contribution highlights the complexities of the global green energy transition. Especially the challenges in the sub-Saharan countries where most people are living without electricity.]]></description>
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									<p>Achieving UN’s Sustainable Development Goals (SDG) requires careful attention to the risk of potential contradictions between the individual goals. For instance, how do we make energy both clean, affordable and accessible? Tanzanian Doctoral researcher Thabit Jacob’s scholarly contribution highlights the complexities of the global green energy transition. Especially the challenges in the sub-Saharan countries where most people are living without electricity. The thing is that while these African countries have signed The Paris Agreement to bring down carbon emission, the region holds large coal deposits ready to generate energy.</p><p>The scope of this article seeks to reflect one of the core challenges to the SDG’s achievement, as we pay attention to the <em>winners and losers in the green energy transition</em>.</p><p><strong>Roskilde University<br /></strong></p><p>It is February on a grey, windy and rainy day that I make my way to the Roskilde University (RUC). This day, RUC hosts its annual open house for prospect students, so the campus is pulsating with all sorts of different activities. RUC is located 30 km from Copenhagen. It has several disciplinary and interdisciplinary departments and is considered an essential academic institution in the capital area of Denmark.</p><p>I meet Thabit Jacob in the Department of Social Science and Business. As I am a bit early for our appointment, I get the chance to meet Jacob’s supervisor Associate Professor Lars Buur. He is the head coordinator of the research project, Hierarchies of Rights, of which Jacob is a part of. When we sit down in Jacob’s office, he explains that the research project is about “investment into natural resources in Africa”. The special scope of the Hierarchies of Rights project aims “to analyse how struggles related to large-scale investments into natural resources affect rights, particularly of small-holders, to land in Sub-Saharan Africa” (RUC 2015).</p><p>In November 2015, after being shortlisted among six very qualified Tanzanian researchers, Jacob was offered a full position in the project. Besides RUC, Jacob has had visiting fellowships at the University of Michigan and the University of Sheffield. He is also currently a non-resident fellow at the <a href="https://sais-isep.org/fellows/thabit-jacob">Initiative for Sustainable Energy</a> at Johns Hopkins Johns Hopkins School of Advanced International Studies</p><p>Hierarchies of Rights is now coming to its end and Jacob is expected to hand-in his dissertation at the end of 2020.</p><p>I ask Jacob to explain the methodology and material he uses for his research. He describes his method as theoretical political economy conducted through qualitative research of different data. As Jacob’s project is about looking into the Tanzanian coal investments, he organizes his research at both a national and a subnational level. The national level is oriented towards the capital and its decision making on coal investment, whereas the subnational level is research in the rural field where the people who are affected by these investments live. Jacob is collecting his data through both qualitative interviews, archival research and ethnographic fieldwork.</p><p><strong>Competing energy narratives</strong></p><p>Jacob’s research is considered controversial to the Tanzanian government. This means that Jacob has been met with a lot of resistance when pursuing the critical work of his. Both from the people in power, but also from villagers who are reluctant to speak to him at times. Further, some of his academic colleagues in Tanzania, do not feel comfortable to be associated with him, as they fear it could bring them into trouble with authorities.</p><p>As Jacob tells me about the challenging nature of his work, he unfolds his work on what he calls Tanzania’s ‘competing energy narratives’.</p><p>Jacob explains the complex situation of a country that must deal with a very large percentage of its citizens living without electricity, while having ratified the Paris agreement to reduce carbon emission. This leaves Tanzania with two dominating narratives on the energy transition of the country. They can briefly be described as the ‘clean energy and pro-renewable narrative’ and the ‘energy security narrative’.</p><p>The conflation of the two narratives arose from “strong coalitions of civil society organizations which have formed a coalition with Northern based NGOs, mostly from Germany. They have called for a sustainable future in Tanzania which have to be powered by 100% renewable energy and clean energy fuels. On the other hand, you have another strong position, the government’s position, which is on ‘energy security’. It says that Tanzania is not energy secure and that the country has its own ambition of becoming a middle-income country by 2025. It has to build industries and to be able to do this, it has to use all its available energy resources including so-called ‘dead energy’ [coal and natural gas]”.</p><p><strong>Obstruction of democracy</strong></p><p>Since 2014, Tanzania has become less democratic and more authoritarian, shutting down open debates and enhancing surveillance and state sovereignty.</p><p>Jacob tells that the ‘winning’ narrative is the ‘energy security narrative’, as the recent government has imposed its power to immobilize what used to be a prolific civil society of clean-energy-activists: “Before the recent government came in, civil society had made a lot of progress and they have made much noise, but now their lives have become very hard under the current government. Before that they were able to bring in donors and get some commitment from the government in terms of reducing fossil fuels in the energy mix. The government bought into it and ratified the Paris agreement. At the same time Tanzania made its own ambitious plans on renewable energy. That has shown to be just a theoretical commitment since the actual politics has not gone that way”.</p><p>Until 5-6 years ago it was possible to have open debates in Tanzania, but this came to an end when the recent government came to power. This is evident in how the energy debate is relayed in national media: “Before the current government, these discussions were very popular in the media. The state broadcasters get more airtime than private media, but civil society has done much work in steering debates via privately-owned TVs, and they have run workshops across the country, but since the new government came in it has been much harder for civil society to operate.” Jacob explains that “the implementation of coal depends on the fragmentation of CCM (Chama Cha Mapinduzi, In English “Party of evolution”, The ruling party in Tanzania) and on the position of civil society. If civil society had maintained their momentum, the clean energy narrative might have won, but since the government has come in it has made the work conditions too hard for civil society.” Jacob tells that this has become evident, as many international NGO are experiencing severe difficulties in collaborating with Tanzania’s civil society. “My point is that civil society moved from a very open environment to a very closed environment, so now their operations have become very hard”.</p><p>I his article “Competing Energy Narratives in Tanzania: Towards the Political Economy of Coal” from 2017 (Published in African affairs, a top ranked journal), Jacob explains that the execution of coal mining in Tanzania is entangled with elite politician’s reliance on rents: “Various forms of rents are likely to emerge from coal investments. They include large-scale fiscal rents accruing to the state and the ruling elites in terms of foreign direct investment, taxes, and royalties related to coal. They also include rents that are likely to be captured and diverted into individual hands by state bureaucrats and party cadres through direct monetary bribes and from the allocation of procurement contracts to supply inputs to coal mines, as well as the profits made by the state through the supply of coal-fired power to residential, commercial, and industrial consumers. Power production and distribution is state-controlled, and this monopoly paves the way for managers of state-owned enterprises with close links to the party to extract rents” (Jacob 2017, 351). The prospects of these rents make the implementation process of the SOE mines perplex and insecure for the people affected by these implementations. Jacob tells that “when a state-owned government wants to pursue investment the idea is ‘let’s do it as quickly as we can. If people want to be compensated, we can do it later, but there is nothing stopping us.” Most of these projects are increasingly seen as ‘national’ and should be supported by everyone.</p><p><strong>Energy justice. Winners and losers in the energy transition</strong></p><p>Understanding the political conduct of the Tanzanian government requires thorough attention to the unequal and unjust global situation, when it comes to energy access. Jacob is calling for other researcher’s attention to ‘energy justice’ and what Jacob calls “winners and losers in energy transition”. When we discuss issues on climate change and inequality, we cannot but ignore that western countries became superpower states through coal booms (Britain’s economic development was fueled by coal and other fossil fuels. Same can be said about Australia, USA, India, China). Now Africa has all these resources that they are being told not to use. Western countries did not stop and have not stopped using fossil fuels: “Everybody in the world has the right to access clean, affordable and cheap energy (SGD 7 ‘Affordable and clean energy’). And this is where a lot of people are missing the point, especially a lot of scholars from the North. As we speak now, in Africa over 700.000.000 people don’t have access to electricity. This is something that most people just ignore. The amount that the average American is using on Christmas decorations is more than an average African uses in a year. There are these huge disparities on energy access, so it is easy to point fingers at the developing countries and ‘say stop digging coal’. When you have 7 out of 10 people living in darkness, I am asking is it justice? In terms of making winners and losers this is an important point. This is where the developed countries have been fooling the world.”</p><p><strong>After RUC</strong></p><p>As we already have touched upon, Jacob’s research is perceived as very controversial in Tanzania, this has to do with his various media interviews and social media commentaries related to his research and broader political developments in Tanzania which are seen to be critical. I asked him about his plans after he finishes his research at RUC. He plans to go back to Tanzania after the summer, although he knows problems might await him: “It’s a tough decision that I’ve had to make, I’m not naïve, I know it is risky. And at some point, something might happen to me. But if it is the price to pay for doing this work, so be it, because at some point you cannot avoid it”. Jacob tells me that the has experienced surveillance from the Tanzanian government while he has been doing his research in Denmark: “When I was invited (with two other Danish colleagues) to give a talk at University of Copenhagen on political updates in Tanzania ahead of the election later this year. What happened was bizarre but unsurprising. The Tanzanian embassy in Sweden sent someone to record my presentation at the University of Copenhagen. We managed to block the recording but coordinated group of loyalists were still able to record an audio somehow. That shows the ongoing government surveillance campaign and latest spying efforts on critics seems to have reached a whole new level.”</p><p>Even though Jacob has been recommended to extend his stay in Europe, he does not think it is the right thing to do: “When you believe in the kind of things you do and have not done any harm, and I just do my job as researcher, then that is worth getting in trouble for. When I am here or in the UK, I lose legitimacy [to Tanzanian people], because people point to me and accuse me having become ‘too European’, saying ‘he is out of touch with what is happening in Tanzania’, ‘he is living a luxury life in Europe’. This is why I want to go back and be able to say these things while being there”.</p><p><strong>Scholar activism. Getting out of the Ivory tower</strong></p><p>Jacob is getting a lot of undiscerning remarks about his academic career pursuance. A lot of people think that he is “asking for too much trouble” and by that throwing away what could have been a bright future with a position at a Tanzanian university. To Jacob there is a quintessential connection between research and activism. For Jacob it is a big problem in academia that most of its research takes place in an ‘ivory tower’, meaning that academia research distances itself from society making its impact non-existent: “Some of my fieldwork in the coal region in South-western Tanzania was being around people who struggle daily for survival, the ivory tower feels quite removed from that reality.”  Similar to the Marxian critique of precursory philosophers’ efforts in only describing the world instead of changing it, Jacob wants his work to have social impact. While doing his fieldwork he has helped villagers getting legal help by linking them with city lawyers. Jacob stresses how important it is for him to give back to the people who contributes to his research.</p><p>Going back to Tanzania will challenge the continuation of Jacob’s work, but he is sure that he will continue his collaborative work with researchers in Denmark, the UK and US.</p><p><em>Nicklas Alexander Kirchert is Master of Modern Culture and Cultural Dissemination, UCPH, and DDRN Culture Editor</em></p>								</div>
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									<figure id="attachment_3255" class="wp-caption aligncenter" aria-describedby="caption-attachment-3255"><figure id="attachment_3255" aria-describedby="caption-attachment-3255" style="width: 1024px" class="wp-caption aligncenter"><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3255 size-large" src="https://ddrn.dk/wp-content/uploads/2020/05/photo-2portrait-1024x683.jpg" alt="" width="1024" height="683" srcset="https://ddrn.dk/wp-content/uploads/2020/05/photo-2portrait-1024x683.jpg 1024w, https://ddrn.dk/wp-content/uploads/2020/05/photo-2portrait-300x200.jpg 300w, https://ddrn.dk/wp-content/uploads/2020/05/photo-2portrait-768x512.jpg 768w, https://ddrn.dk/wp-content/uploads/2020/05/photo-2portrait.jpg 1378w" sizes="(max-width: 1024px) 100vw, 1024px" /><figcaption id="caption-attachment-3255" class="wp-caption-text">Thabit Jacob</figcaption></figure><figcaption id="caption-attachment-3255" class="wp-caption-text"></figcaption></figure><p><a href="https://scholar.google.com/scholar?hl=da&amp;as_sdt=0%2C5&amp;q=thabit+jacob&amp;btnG=" rel="noopener"><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded b-loaded aligncenter wp-image-2702 size-full" src="https://ddrn.dk/wp-content/uploads/2019/09/Google-scholar-logo-e1569747203926.jpg" alt="" width="358" height="134" /></a></p><p><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3258 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/05/DIISlogoUK.jpg" alt="" width="669" height="127" srcset="https://ddrn.dk/wp-content/uploads/2020/05/DIISlogoUK.jpg 669w, https://ddrn.dk/wp-content/uploads/2020/05/DIISlogoUK-300x57.jpg 300w" sizes="(max-width: 669px) 100vw, 669px" /></p><p><span style="font-size: 10pt;"><strong>References</strong></span></p><p><span style="font-size: 10pt;">Jacob, Thabit. (2017). ”<a href="http://old-ddrn-website.ddrn.dk/wp-content/uploads/2020/05/Thabit-Jacob-2017.pdf" target="_blank" rel="noopener">Competing energy narratives in Tanzania: towards the political economy of coal” <em>African Affairs</em></a>, <em>116/</em>463. 341-353 </span></p><p><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3260 size-large aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/05/afrafj_116_463_cover-683x1024.png" alt="" width="683" height="1024" srcset="https://ddrn.dk/wp-content/uploads/2020/05/afrafj_116_463_cover-683x1024.png 683w, https://ddrn.dk/wp-content/uploads/2020/05/afrafj_116_463_cover-200x300.png 200w, https://ddrn.dk/wp-content/uploads/2020/05/afrafj_116_463_cover-768x1151.png 768w, https://ddrn.dk/wp-content/uploads/2020/05/afrafj_116_463_cover.png 1001w" sizes="(max-width: 683px) 100vw, 683px" /></p><p><span style="font-size: 10pt;">Jacob, Thabit. (2018).<a href="http://old-ddrn-website.ddrn.dk/wp-content/uploads/2020/05/Thabit-Jacob-2018.pdf" target="_blank" rel="noopener"> </a><em><a href="https://www.diis.dk/en/publications?key=thabit+jacob&amp;op=S%C3%B8g&amp;filter=%2Fen%2Fpublications" rel="noopener">State caught in the middle: Coal extraction and community struggles in Tanzania</a>.</em> København: Danish Institute for International Studies (DIIS). DIIS Working paper, No. 2018:8</span></p><p><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3261 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/05/DIIS-paper-2018.jpg" alt="" width="627" height="888" srcset="https://ddrn.dk/wp-content/uploads/2020/05/DIIS-paper-2018.jpg 627w, https://ddrn.dk/wp-content/uploads/2020/05/DIIS-paper-2018-212x300.jpg 212w" sizes="(max-width: 627px) 100vw, 627px" /></p><p><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3262 size-large aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/05/photo_field-1024x576.jpg" alt="" width="1024" height="576" srcset="https://ddrn.dk/wp-content/uploads/2020/05/photo_field-1024x576.jpg 1024w, https://ddrn.dk/wp-content/uploads/2020/05/photo_field-300x169.jpg 300w, https://ddrn.dk/wp-content/uploads/2020/05/photo_field-768x432.jpg 768w, https://ddrn.dk/wp-content/uploads/2020/05/photo_field.jpg 1379w" sizes="(max-width: 1024px) 100vw, 1024px" /></p><p><img loading="lazy" decoding="async" class="lazyloaded b-loaded wp-image-3259 size-full aligncenter" src="https://ddrn.dk/wp-content/uploads/2020/05/Hierarchies-of-Rights-logo.jpg" alt="" width="627" height="206" srcset="https://ddrn.dk/wp-content/uploads/2020/05/Hierarchies-of-Rights-logo.jpg 627w, https://ddrn.dk/wp-content/uploads/2020/05/Hierarchies-of-Rights-logo-300x99.jpg 300w" sizes="(max-width: 627px) 100vw, 627px" /></p><p><img loading="lazy" decoding="async" class="ls-is-cached lazyloaded b-loaded wp-image-1201 size-large aligncenter" src="https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-07-1024x1024.png" alt="" width="1024" height="1024" srcset="https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-07-1024x1024.png 1024w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-07-150x150.png 150w, https://ddrn.dk/wp-content/uploads/2017/08/E_SDG-goals_icons-individual-rgb-07-300x300.png 300w, 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